This composition is bothering me. Do I finish it the way it is? Do I massacre it and take a leap of faith following suggestions of trusted mentors?
The latest thing I'm considering doing to this piece is taking the flutist in the foreground and putting him way back behind the other figures, in the same position.
Another option, because I am loathe to undo the work I did on his jeans, is balance the focus on him with something in the upper left quadrant, possibly.
For now, I'm putting it in the closet and working on other things. Maybe when I take another look later, I'll be inspired with a solution.
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