Saturday, July 30, 2011

Thoughts on Consciousness and Hessie Trail

Today I was supposed to paint. I scraped my palette and received an invitation to have breakfast and go hiking with a couple of dear friends. I went along. It was such a beautiful drive up to Hessie Trail, a little ways outside of Nederland. My friends brought their dogs, Rudi and Spot. They were very excited to go hiking too. It's been so long since I've hiked. The air was scented with warm pine. The sun down in Boulder was a glaring 95 degrees but up on the trail it had dropped to a perfect 76 degrees Farenheit. The trail curved gently around the foothills and brought us to a waterfall. We left the trail to seat ourselves on boulders overlooking the falls. Bronze boulders as large as trucks in precarious poses as if in suspended animation of tumbling were dressed with white, rivulets of lace. The decision to go hiking was sealed after breakfast and I was originally wearing a long skirt, so Molly lent me a set of spandex shorts, the sort of which I haven't worn since about the age of 13. Normally I don't show this much of my legs and it left me feeling slightly self conscious, but I must admit they were very comfortable for the context in which I was employing them.
I was hypnotized by the moving water. I said to Dan and Molly, "It's so great to be alive." Trite words, but sincere.
I ran my hands over the tender needles of a young evergreen that tenaciously took root on top of the boulder I sat on, in what looked like a shovel's worth of earth caught in a dip. I felt the rough surface of the boulder and the chartreuse lichen, the fallen dried needles. It filled my senses with wonder. Molly offered me a very ripe peach from the cooler. It was so soft it buckled in my fingers. As my teeth broke the skin, the peach nectar flowed down my chin and as I drank it, it cooled the inside of my throat. I feel so blessed that I am allowed to experience such sensuousness in my version of existence. I guess it's common for painters to occupy themselves with and focus on relating the sensuous in their work, perhaps because of the tactile nature of hand made artwork, ceramics for example. Today, on the trail, I decided that I don't exist. The I is a fiction. The I is really everything. Existence is actually oneness but we are a delusional, schizophrenic, narcissistic oneness. Once while on the pilgrimage to Italy, I was listening to my sister talk and I let go of my ego, the sense of boundary between the self and everything else and suddenly I felt a strong oneness with her. My perception spread outside of my body and everything became like a mirror to my spirit. It lasted only a minute.
I experimented with this while I was walking through the woods today admiring all the tree people, bird people, rock people, dog people, all the different versions of the Is or Am. It created a sense of loneliness, but perhaps the Is or Am is too infinite to be confined to one version of itself and that's why there are so many. In this way, the Is or Am can love itself by loving those perceived to be external selves, but when the Is/Am is being vain and selfish and thinking only of its loneliness, the love diminishes.


Crucified Earth I

Crucified Earth II

Monday, July 25, 2011

Cold, gray airport.

Vibrating neon lights.
Cold gray airport.
I want to be with the black wasp
gleaming in the sun
on an orange lily.

I forgot to record a few notes about a concertino I saw on my last day in Venezia. We had the pleasure of a nearly private mini-concert by a man and his piano. It cost 10 Euro per person and lasted about 40 minutes. It was the perfect ending to our sensory driven trip. I relaxed my eyes and felt the music. The vibrations and intensity tingled different areas of my brain, activating emotions of joy and passion. Another example of love being poured into a piece of work, first by the author and secondly by the performer.
I am waiting for a flight taking me back to Denver, back to my children and my work. Over the next few months my mission will be tending to the flame in my heart that has been ignited by my pilgrimage to Italia. This flame is the communion I hold with my muse, my dedication to my artwork and love for my children. I want to teach them and show them of this love, that it allows your life to be full and it allows your spirit to thrive.


I want to be a love conduit. I am so thankful for all my experiences and all of the people who have taught me, all the people I know are my teachers.

Sunday, July 24, 2011

Venice and I both wept from the sky

Venice wept upon us as we ran to the bus stop with our roller bags skipping across the cobblestones in a silly dance. We were unprepared for the thunder shower but Brenda suggested we don shower caps for our race through the deluge. It was a good idea and helped us stay slightly warmer as the rain soaked our clothes to our skin. We arrived 25 minutes early for the bus and a mysterious taxi with no taxi sign pulled in front of our waiting area. "Marco Polo Aeroporto?", he asked us and the man who stood close by under the thin awning that afforded us meager protection from the rain. All of us rode to our destination, us to the airport, the man to a restaurant outside of San Lucia Venezia. After getting our things out of the "taxi" and checking in at the ticket counter, I questioned whether he was actually a sanctioned cab driver, especially since he had no fare meter or communications radio and stank like he'd been drinking hard alcohol. All the same, we got to the airport.
I finally remember, I was able to visit the cafe at the Biennale in the Giardini, adjacent to the Central Pavillion, the one for which Tobias Rehberger designed the interior. It was glorious! I had really enjoyed his lecture when he came to Denver, but didn't have a chance to chat with him myself. It seems like I ended up going to that Logan Lecture alone. Alone! My new adjective.
When I entered the cafe, I was greeted by disorienting graphics that made me giddy. Vivid, neon orange and lime against black and white patterns that misinformed the eye as to the shape of the space along with mirrored surfaces to intensify the disorientation and fracturing of perception filled me with gladness! I felt so fulfilled that I had been there to see Rehberger's piece in person! His installation at the Denver Art Museum for the Embrace! exhibition was a room full of multicolor bungee chords strung from floor to ceiling. People were allowed to interact with the installation and meandering through the chords was challenging, being forced to push and pull against the bungees in order to forge across the room. His is a brilliant and joyful mind, truly exhibiting the meaning of being love conduit.
A funny think I just remembered: The taxi that took us to our hotel upon arrival in Rome on the 15th had Amy Winehouse on the radio and the pseudo-taxi that took us to the airport from Venice also had an Amy Winehouse song play during the 10 minute drive. Ironic no? (After arriving back in the states I learned she had died the day before).

The Cafe designed by Tobias Rehberger

The Cafe designed by Tobias Rehberger

The Cafe designed by Tobias Rehberger

Anonymous Stateless Immigrants Pavillion

San Giorgio, Venice

FAIL: Anish Kapoor's Ascension
Oh, we saw "Ascension" by Anish Kappor and it was indeed a disappointment. There is this elaborate setup, specially designed towers that house columns of fans almost reaching the ceiling of San Giorgio, a central platform emitting a wisp of steam that is supposed to manipulate upwards to a vacuum tube, a sucking duct that exhausts out through one of the dome's windows. People were sitting around in the pews and on the steps leading to the altar with a range of expression from boredom to intense concentration as they waited for the twisting column to manifest. Some with cameras on tripods were frozen, hypnotized by the expectation that at any moment they will have the opportunity to snap a photo of a miracle. My mom made the observation that it is like an ascension we've only read about in the Bible; no living witnesses, may only have been hearsay, but the faithful arrive hoping to witness it.